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Showing posts with label yellow. Show all posts
Showing posts with label yellow. Show all posts

Two Pears (Yin & Yang)


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“It's not what you look at that matters, it's what you see.” ~Henry David Thoreau

This painting continues my "yin and yang" series that I began back in 2010. If you enjoy this painting, you may also like to see Still Life with Pear and Silver Cup (2022), Hand-picked Pear with Leaves (present moment) (2021), golden series: peach, pear, five blackberries, bleu cheese (the light / the shade) (2018), still life with copper pot and pears (the light, the shade) (2018), or a bunch of my paintings of pears or the other paintings from my "yin & yang" series.

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Blue Jay Feather and Two Lemons (Yin & Yang)

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To see other paintings in my "yin & yang series," click here. If you enjoy today's painting, you may also like to see PB & J, redux (2016), Blue Collection (Golden Ratio) (2014), Silver Creamer with Blue Jay Feather (2011), or a bunch of my paintings of blue jay feathers or lemons.

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Golden Apples (Together Forever)


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The auction for Red Pear, First of 2020 ends soon at 8PM ET. Click to view that auction.

If you enjoy this painting, you may also like to see a bunch of my paintings of apples.

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still life with lemon and greek bottle (the light / the shade)


still life with lemon and greek bottle (the light / the shade)
oil on linen on panel, 2017, 3.5"x4"

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the light / the shade exhibition at Arcadia
If you enjoy this painting, you may like to read more about abbey ryan: the light / the shade, my exhibition in the Harrison Gallery at Arcadia University on view from April 16 - June 16. If you enjoy this painting, you can also see other paintings from my the light / the shade series.

You can also click here to see a bunch of my paintings of yellow things.

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Thanks in advance,

Zecchi's Cadmium Yellow Pigment (the light, the shade)


Zecchi's Cadmium Yellow Pigment (the light, the shade), 2017, oil on linen on panel, 6" x 5"

I'll be making two cool announcements this week, so keep an eye out.

I brought this pigment (and other pigments) back with me from Florence, Italy in 2008 (you can see a snapshot I took of the pigments at Zecchi's Art Store here). Also, this painting is part of my the light, the shade series that I began back in December 2012. I wrote about how Robert Lax was the inspiration for my "the light, the shade" series here. Generous support for my "the light, the shade" series from June 2016-June 2018 is provided by the Norman Johnston Fellowship at Arcadia University.

If you enjoy this painting, you may also like to see a bunch of my paintings of paint tubes.

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Best,

Lemon with Leaves, Flower, and Bud (+ Fantin-Latour)


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Fantin-Latour is a great painter whose work I often study at the Philadelphia Museum of Art. À Fleur de Peau was a recent exhibition of his work at Musée du Luxembourg in Paris; the show is no longer on view, but, if you're interested, the exhibition catalog can be found at this link.

This is another lemon generously given to me by my in-laws in Arizona. If you enjoy this painting, you may also like to see Lemon with Three Leaves (Separation of Powers) or a bunch of my paintings of lemons.

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Best,

Lemon with Three Leaves (Separation of Powers)


Lemon with Three Leaves (Separation of Powers), oil on linen on panel, 5x6", 2017
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This painting is the first in my "separation of powers" series. If you're interested in the origin of separation of powers in government, Mitchell Langbert, associate professor of business at Brooklyn College, with a Ph.D. from the Columbia University Graduate School of Business, an MBA from UCLA and an AB from Sarah Lawrence College, writes about "Origins of the Three Branches of Government in the US Constitution" (2010). He begins by discussing the Federalist Papers by Alexander Hamilton, James Madison and John Jay, Montesquieu's Spirit of Laws, and then moves on to the fourth century BC writings of Aristotle:

"Aristotle was one of the most important advocates of freedom in the history of ideas. Unlike some of his Athenian contemporaries, he was not an abolitionist. However, he responds thoroughly to the communist ideas of his professor, Plato. He makes clear that it is fundamental to a state to have plurality and openness of exchange, and that excessive unity is deleterious. He begins Book IV, Chapter 13 of his Politics as follows:
'Having thus gained an appropriate basis of discussion we will proceed to speak of the points which follow next in order... All constitutions have three elements, concerning which the good lawgiver has to regard what is expedient for each constitution.  When they are well-ordered, the constitution is well-ordered, and as they differ from one another, constitutions differ. There is (1) one element which deliberates about public affairs; secondly (2) that concerned with the magistracies--the questions being, what they should be over what they should exercise authority, and what should be the mode of electing to them; and thirdly (3) that which has judicial power.'
Aristotle there refers to the three branches of government that correspond to the US Constitution, the deliberative or legislative; the magistracy or executive; and the judicial." [Keep reading]

If you enjoy this painting, you may also like to see my Still life of Three Lemons with Leaves (2016), Partially Peeled Lemon (present moment) (2015), Italian Lemon with Leaves (Italy 2012 painting #5), or a bunch of my paintings of lemons.

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Best,

Two Lemons (+ Why Do Autumn Leaves Change Their Color?)


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If you're interested, this is a neat fall foliage map. It also explains "Why Do Autumn Leaves Change Their Color?"

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Best,

Acorn and Lemon with Leaf (+ Representational Painting in the 21st Century)



I'm a member of Oil Painters of America, and if you're interested, here is an article via OPA entitled, "The Twelve O’Clock – A Case for Representational Painting in the 21st Century" by John Lasater. An excerpt:

"Against all odds in this digital age, there appears to be an increase of representational painters 'of like nature, chosen by the Gods,' as the artist Whistler put it. Gripped by the desire to paint, we have awakened into a fascinating new world and have come to find that sense of calling holy!"

I don't know him, but the article says that John Lasater paints full time, both from his studio in Siloam Springs, Arkansas, and on the road painting "en plein air."

[Source: http://blog.oilpaintersofamerica.com/2016/04/twelve-oclock-case-representational-painting-21st-century/]

To purchase my work, view my Current Auctions and All Available Paintings.

Best,

Italian Lemon with Leaf, Rome (Italy 2015 painting #8)


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FYI: my course "The Innernet" begins tomorrow. Along with a great big group of course participants, I'm excited to be going offline for four days starting on Friday. #InnernetMovement #unplugged #diveintoYourInnernet #bethecloud #digitaldetox

Ending today at 10PM EST:

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If you'd like to purchase my work, you can view my Current Painting Auctions and All Available Paintings.

Best,

Daffodil in a Glass Jar


Private Collection
View this painting #OnTheEasel

If you have a minute, please take this quick 2-question survey -- your responses will help me vary the days on which my auctions end so that if you've ever considered bidding on a painting, I can accommodate your preference. (In my last survey, an overwhelming majority said between 8pm and 10pm EST is best for auction end times.)


Ending Tonight - at 9 PM EST

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If you'd like to purchase my work, you can view my Current Painting Auctions and All Available Paintings.

Best,

Yellow Pear Wrapped in Green Tissue Paper No. 2


6 x 4 in., oil on linen on panel
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Something I've been enjoying lately is this blog by Regina Tingle. She's a writer from Texas who wrote much of it from her home in Italy, and now she writes from her new home in New Zealand (!). I'm excited about where it all comes from and where it's all going -- and will write more on that later -- but in the meantime, I hope you enjoy it. (<--- I recommend going back and starting at the beginning.)

Anyway, if you're interested, when I posted my first Yellow Pear Wrapped in Green Tissue Paper painting back in June, I also wrote about a painting that mesmerizes me. Click here to read the post.

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ENDING SOON
The auction for Still Life with Cranberries, Clementine, and Silver Creamer ends TODAY at 10:45 PM EST. View auction

Enjoy,

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