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Showing posts with label blue jay. Show all posts
Showing posts with label blue jay. Show all posts

Blue Jay Feather and Two Lemons (Yin & Yang)

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To see other paintings in my "yin & yang series," click here. If you enjoy today's painting, you may also like to see PB & J, redux (2016), Blue Collection (Golden Ratio) (2014), Silver Creamer with Blue Jay Feather (2011), or a bunch of my paintings of blue jay feathers or lemons.

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Still Life with Japanese Cup, Peach, & Blue Jay Feather (+ Growing Up The Internet)



The next session of my #digitaldetox 1-week e-course "The Innernet" will be soon. Details here. Related to that, I've always been interested in Teilhard de Chardin's concepts and this radio show is really fascinating (they mention Teilhard at the end). Here's a quote from the interview:

"The Internet is in its infancy and it's up to all of us to grow it up."
~Krista Tippett, onbeing.org [source]

Ending soon: 
Still life w/ Delft Vase and Cherries (present moment)

3.5 x 4 inches, oil on linen on panel
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Auction contains framed view

To purchase my work, view my Current Auctions and All Available Paintings.

Best,

PB & J, redux (+ Anna Deavere Smith on Discipline)


PB & J, redux
8 x 10 inches, oil on linen on panel, 2016
Private Collection

I sometimes paint a PB & J sandwich still life, and when I got this request for a commission, I couldn't resist! Hope you enjoy it.

Renowned artist, actor, playwright, and educator Anna Deavere Smith is a fellow alum of mine from Arcadia. Her book, Letters to a Young Artist: Straight-up Advice on Making a Life in the Arts for Actors, Performers, Writers, and Artists of Every Kind, is a "compendium of immeasurably insightful and useful advice, titled after the famous Rilke tome" in which Smith shares her wisdom on confidence and what self-respect really means.

Reminiscent of this Zen quote I love, her statement, "Discipline — both mental and physical — is crucial" really spoke to me.

"For Smith, a dedication to discipline is the defining characteristic of the artist. A number of famous creators would concur, from Tchaikovsky ("A self-respecting artist must not fold his hands on the pretext that he is not in the mood.") to Chuck Close ("Inspiration is for amateurs — the rest of us just show up and get to work."), from Anthony Trollope ("My belief of book writing is much the same as my belief as to shoemaking. The man who will work the hardest at it, and will work with the most honest purpose, will work the best.") to E.B. White ("A writer who waits for ideal conditions under which to work will die without putting a word on paper.")"

"...That’s perhaps why successful artists and writers are so powerfully anchored to their daily routines and their quirky habits. There’s a kind of readiness for creation that the discipline of a daily rhythm induces. Smith captures it beautifully:
'Be more than ready. Be present in your discipline. Remember your gift. Be grateful for your gift and treat it like a gift. Cherish it, take care of it, and pass it on. Use your time to bathe yourself in that gift. Move your hand across the canvas. Go to museums. Make this into an obsession… 
What you are will show, ultimately. Start now, every day, becoming, in your actions, your regular actions, what you would like to become in the bigger scheme of things.'" [Source]
To purchase my work, view my Current Auctions and All Available Paintings.

Best,

Blue Collection (Golden Ratio)


Blue Collection (Golden Ratio), oil on linen on panel, 6 x 7 inches, 2014

Studio Update
As I'm in the happy midst of preparations for my solo exhibition at Mason Fine Art in Atlanta in November, I am also "recovering" from moving my home and studio two weeks ago. (!) Things are finally just about close to being in order in my studio. If you're interested in seeing my beautiful new studio, let me know and I will see if I can take some decent photos of it.

About Today's Painting
This new trompe l'oeil painting of mine relates to a series of non-objective ink paintings that I've been working on since 2012 that utilize the structure of the golden ratio. I've been considering the golden ratio as not just a structure (as it is in today's painting), but as subject matter in my still life and trompe l'oeil oil paintings. More on that later.

In the meantime, if you're in the NJ area, this painting will be on view in the Peto Museum's National Juried Show of Contemporary Trompe L’oeil from September 27 – December 29, 2014. The opening reception is Friday, September 27, 2014 6-8pm. Contact the Peto Museum for details about that.

As I prepare for my Nov. 8-9 Peto Museum workshop - I am excited that I will be able to choose from Peto's objects for my own painting demo still life set up during the workshop.

If you're considering signing up, photos from last year's workshop are here. I think there may be just one spot left in the workshop.

Anyway, the Peto is a Studio Museum, so his objects are placed in situ throughout the space. During last year's workshop, I painted Still life with John F. Peto's Copper Jug, Clementine, and Concord Grapes. If you're interested, you can read more about it here.

Best,

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Still Life with Ike's Handmade Vase, Apricots, and Blue Jay Feather


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As part of my ongoing Paintings of Handmade Pottery Project, the vase in this painting was made by one of my amazing high school art teachers. Ike recently loaned me this vase (and another remarkable one) and I am so thrilled to be able to have his work in my still life set ups. It's so powerful for me, and I am not sure I can really explain it. So, I will just say that it's such a gift, on so many levels. Thank you, Ike!

Update on my Contest for FREE Private Painting Mentoring session ($450 value):
I am carefully going through the fifty wonderful applications that came in, and I'll post the winner ASAP. Thank you for your patience!

Ending Soon:
The auction for Spring Asparagus ends tonight at 10:30 PM EDT. View Auction

If you're interested, you can also view all my Current Painting Auctions.

Best,

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Here's how this painting would look framed:

Still Life with Asian Pear & Blue Jay Feather


4 x 5 in., oil on linen on panel
Click to view auction

This is my first painting in a series of three paintings that are connected by the color blue -- a series that was sparked by a request I got to paint a blue vase. I thought it was perfect timing because in this very moment I'm packing for Italy, where I'll soon be looking at Italian paintings containing ultramarine & lapis lazuli (referred to as "the most expensive blue of all time").

For this painting, I was interested in the ultramarine blue feather in relation to the Asian pear. According to Wikipedia, ultramarine derives from Middle Latin ultramarinus, literally "beyond the sea" because it was imported from Asia by sea. Keep an eye out for the next two "blue" paintings to see what other blue things I love to paint. By the way, the two blue paint colors on my palette are W&N's ultramarine and phthalo blue.

While I'm in Italy, I plan on posting updates about my trip on Facebook. Click here to "like" the page so you will see the updates.

Comments are welcomed. If you'd like to comment on this painting, click here.

View my Current Painting Auctions and All Available Paintings

Here's what this painting would look like framed:

Silver Creamer with Blue Jay Feather


5 x 6 in., oil on linen on panel
not for sale

Visit my Current Painting Auctions and All Available Paintings.

Here's what this painting would look like framed:

Blue Jay feather


approx. 1 x 6 in., Oil on Masonite panel
SOLD

Happy First Day of Spring!
My mom found this feather for me, and I thought it would be a good thing to paint as Spring is hopefully on its way...