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Showing posts with label blue. Show all posts
Showing posts with label blue. Show all posts

Three Italian Plums, 2021

Click to view auction

"In the end, it is the reality of personal relationships that saves everything.”
—Thomas Merton 

If you enjoy this painting, you may also like to see Self-portrait in a Blue Vase with Italian Plums, Peach, and Eucalyptus, 12x24" (2017), Still Life with Italian Plum and Silver Creamer (A Meditation on 10 Years) (2017), Pohnpeian Cowry Shell and Italian Plum (Yin & Yang) (2014), Four Italian Plums (2014), Still Life with Japanese Cup and Italian Plums (2019), or a bunch of my paintings of plums or blue subjects.

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Self-portrait in a Blue Vase with Italian Plums, Peach, and Eucalyptus, 12x24"


Self-portrait in a Blue Vase with Italian Plums, Peach, and Eucalyptus
12x24 inches
Oil on linen on panel
Sold ($9,000)

Here's another Maria Popova article, "What Color Is The Wind?":

"'What is essential is invisible to the eye,' Antoine de Saint-ExupĂ©ry wrote in The Little Prince. Those bereft of vision, therefore, need not be bereft of the essential — they discern it by means other than sight. The richness of that otherness is what Belgian artist and author Anne Herbauts came to see in a surprising and profound question from a blind child. During a bookmaking workshop she was leading, a little boy asked her whether she, as an artist, could tell him what color the wind was — a notion of the same trans-sensory, synesthetic quality as Helen Keller’s electrifying account of 'hearing' Beethoven..." [Keep reading]

Ending Soon
There are two painting auctions ending tonight. Click here to view them.

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Best,

Zecchi's Ultramarine Blue Pigment (the light, the shade)


Zecchi's Ultramarine Blue Pigment (the light, the shade), 2017, oil on linen on panel, 6" x 5"

This week, I will be in Rome to travel and paint and study Baroque art. If you'd like to come along, join me on facebook or instagram.

I brought this pigment (and other pigments) back with me from Florence, Italy in 2008 (you can see a snapshot I took of the pigments at Zecchi's Art Store here). Also, this painting is part of my the light, the shade series that I began back in December 2012. I wrote about how Robert Lax was the inspiration for my "the light, the shade" series here. Generous support for my "the light, the shade" series from June 2016-June 2018 is provided by the Norman Johnston Fellowship at Arcadia University.

If you enjoy this painting, you may also like to see a bunch of my paintings of paint tubes or paint pigment.

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To purchase my work, view my Current Auctions and All Available Paintings.

Best,

Still Life with Robin's Egg and Japanese Cup (A Meditation on 9 Years)


Still Life with Robin's Egg and Japanese Cup (A Meditation on 9 Years)

A Meditation for 9 Years
A Meditation on 9 Years

Today marks 9 years since I began making paintings for this blog. Starting with a pink zinnia, I set out to make a painting a day and to see if I could develop a sustainable painting practice for myself -- I had no idea it would lead me to where I am today. Nine years later, my blog has had well beyond a million visitors from over one hundred countries, and my work has been the subject of many interviews and articles, and is in books, magazines, and private, public, and museum collections on six continents. I know these numbers because what comes with using the Internet is data, and, for better or worse, data is a force of nature.

The number I can't tell you is exactly how many daily paintings I've painted since September 23, 2007. Because I don't exactly know (an approximate number is around twelve or thirteen hundred).

I haven't counted because that number is not as important to me as what my daily painting practice means to me. Spending time doing daily paintings creates a way of life. Some days are a challenge, but for nine years, this vocation has enriched my heart and mind and soul, and this inspires me to continue painting as often as I do.

Painting for me is about paying attention and capturing a moment. Contemplative paying attention allows me to have an intimate relationship with my painting subjects. Mutual respect and exchange of energy manifests itself as gesture, movement, weight, edges, texture, and color harmony. I often choose from my collection of handmade pottery or local co-op produce or a scene out my window -- and it is magic to me that my subjects can be simultaneously animated and meditative. Painting is both big and small. It is humble and majestic. It is reflective and sometimes painful. It is present moment and vast potential.

For me, my daily paintings are intensely personal, my painting practice is a mindfulness meditation. Through my work, I hope to share with you a sense of awe and wonder I feel about beauty that is all around us in our daily lives. In a small way, I hope my work might awaken the same thing in you.

Today, while I painted this painting, I felt an overwhelming sense of humility. Nine years later, daily painting allows me to feel like a beginner every time I sit down at my easel.

Today (and every day) I offer my gratitude to you for your continued interest in my work. Thank you for allowing me to share it with you.

Best,

Green Paintbrush on Blue


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(auction includes detail view)

If you're curious, I painted the other side of this paintbrush once before in October 2008 (see it here).

To purchase my work, view my Current Auctions and All Available Paintings.

Best,

Seascape with Waves Crashing on the Jetty (+ "Gift from the Sea")


Seascape with Waves Crashing on the Jetty, 5x6 in.
Email abbeyryan@gmail.com for purchase information

"The beach is not the place to work; to read, write, or think. I should have remembered that from other years. Too warm, too damp, too soft for any real mental discipline or sharp flights of spirit. One never learns. Hopefully, one carries down that faded straw bag, lumpy with books, clean paper, long over-due unanswered letters, freshly sharpened pencils, lists, and good intentions. The books remain unread, the pencils break their points, and the pads rest smooth and unblemished as the cloudless sky. No reading, no writing, no thoughts even -- at least, not at first.

At first, the tired body takes over completely. As on shipboard, one descends into a deck-chair apathy. One is forced against one’s mind, against all tidy resolutions, back into the primeval rhythms of the sea-shore. Rollers on the beach, wind in the pines, the slow flapping of herons across sand dunes, drown out the hectic rhythms of city and suburb, time tables and schedules. One falls under their spell, relaxes, stretches out prone. One becomes, in fact, like the element on which one lies, flattened by the sea; bare, open, empty as the beach, erased by today’s tides of all yesterday’s scribblings.

And then, some morning in the second week, the mind wakes, comes to life again. Not in a city sense -- no -- but beach-wise. It begins to drift, to play, to turn over in gentle careless rolls like those lazy waves on the beach. One never knows what chance treasures these easy unconscious rollers may toss up, on the smooth white sand of the conscious mind; what perfectly rounded stone, what rare shell from the ocean floor. Perhaps a channeled whelk, a moon shell, or even an argonaut.

But it must not be sought for or -- heaven forbid! -- dug for. No, no dredging of the sea-bottom here. That would defeat one’s purpose. The sea does not reward those who are too anxious, too greedy, or too impatient. To dig for treasures shows not only impatience and greed, but lack of faith. Patience, patience, patience, is what the sea teaches. Patience and faith. One should lie empty, open, choiceless as a beach -- waiting for a gift from the sea."

~ Anne Morrow Lindbergh, Gift from the Sea, pp. 9-11.

To purchase my work, view my Current Auctions and All Available Paintings.

Happy Monday,

Seascape with Waves (+ my favorite poet)


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Today is the anniversary of American poet Robert Lax's death (read a bit here). Bob Lax was a contemporary of my namesake (Trappist monk Thomas Merton); Merton and Lax were also friends with the painter Ad Reinhardt. During the latter years of his life, Lax lived on the island of Patmos, Greece. Here's one of his works:

"are you a visitor?" asked 
the dog.

"yes," i answered.

"only a visitor?" asked 
the dog. 

"yes," i answered. 

"take me with you," said 
the dog.

To purchase my work, view my Current Auctions and All Available Paintings.

Best,

Blue & White Porcelain Cup in Late Afternoon Light (+ Live Demo auction ending soon)


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(auction includes detail views)

Tonight the auction for my live demo painting fundraiser ends. If you look closely in the painting, Still Life with Silver Cup, Two Blueberries, and Muscat Grapes, there's one of my "self portraits" down the center of the cup's reflections. My annual live demos honor the memory of my friend, Jami, and all proceeds from this auction will be donated to the Jami Rodriguez Memorial Scholarship at Arcadia University.

Ending Soon - tonight at 9:15 PM EST

Click to view auction
(auction includes several detail and framed views)

If you're interested, I posted photos from the event, including a photo of this painting on the easel. Also, I invite you to watch the 2 minute time lapse of my live demo below. Hope you enjoy it.



If you'd like to purchase my work, you can view my Current Painting Auctions and All Available Paintings.

All my best,

Blue Collection (Golden Ratio)


Blue Collection (Golden Ratio), oil on linen on panel, 6 x 7 inches, 2014

Studio Update
As I'm in the happy midst of preparations for my solo exhibition at Mason Fine Art in Atlanta in November, I am also "recovering" from moving my home and studio two weeks ago. (!) Things are finally just about close to being in order in my studio. If you're interested in seeing my beautiful new studio, let me know and I will see if I can take some decent photos of it.

About Today's Painting
This new trompe l'oeil painting of mine relates to a series of non-objective ink paintings that I've been working on since 2012 that utilize the structure of the golden ratio. I've been considering the golden ratio as not just a structure (as it is in today's painting), but as subject matter in my still life and trompe l'oeil oil paintings. More on that later.

In the meantime, if you're in the NJ area, this painting will be on view in the Peto Museum's National Juried Show of Contemporary Trompe L’oeil from September 27 – December 29, 2014. The opening reception is Friday, September 27, 2014 6-8pm. Contact the Peto Museum for details about that.

As I prepare for my Nov. 8-9 Peto Museum workshop - I am excited that I will be able to choose from Peto's objects for my own painting demo still life set up during the workshop.

If you're considering signing up, photos from last year's workshop are here. I think there may be just one spot left in the workshop.

Anyway, the Peto is a Studio Museum, so his objects are placed in situ throughout the space. During last year's workshop, I painted Still life with John F. Peto's Copper Jug, Clementine, and Concord Grapes. If you're interested, you can read more about it here.

Best,

View All Available Paintings

Still Life with Blue Vase and Asian Pears (the light, the shade)


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Best,

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Here's how this painting would look framed:

Truffles (Red, White, and Blue), 2012


I hope you vote today (and vote early). (If you weren't planning on voting, read this.)

This is a commission, so it's already sold. I want to add, too, that the truffles in this painting are from The Painted Truffle, handmade by Tom Sciascia, who happens to be a fellow Beaver/Arcadia alum.

All my best,
Abbey 

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