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Showing posts with label poet. Show all posts
Showing posts with label poet. Show all posts

Tart Cherries in a Silver Compote



These cherries were given to me as a gift -- follow that link to see some of my still life paintings that were inspired by the generosity of others.

"My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.
 
Are my boots old? Is my coat torn?
Am I no longer young, and still not half-perfect? Let me
keep my mind on what matters,
which is my work,
 
which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,
 
which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever."
~ Messenger by Mary Oliver

If you enjoy this painting, you may also like to see Strawberries in a Silver Compote (with Snow Reflections) (2018) or a bunch of my paintings of cherries or this silver compote.

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Two Abate Fetel Pears (+ "The Summer Day")


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If you're interested, some say this is poet Mary Oliver's most well-known poem; from her collection, House of Light:

"The Summer Day"

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?
—Mary Oliver

If you enjoy this painting, you may also like to see a bunch of my paintings of pears.

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Thanks in advance,

Apple in Last Light (+ poet Joy Harjo)



It was announced today that Joy Harjo was named the first Native American U.S. Poet Laureate. Harjo is a poet, writer, musician, member of the Muscogee Creek Nation, and her work often draws on Native American stories, languages, and myths. If you're not familiar, two poems by Harjo that I particularly enjoy are "Redbird Love" and "Remember."

If you enjoy this painting, you may also like to see a bunch of my paintings of apples or paintings completed in last light.

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Thanks in advance,

Golden Series: Apple, Cranberries, and Humboldt Fog ( + Lax at AstroPoets)



This is the 13th painting in my Golden Series. Also, if you've been following along my ongoing Robert Lax project "the light, the shade" and my Johnston Fellowship work involving Lax -- Lax was included in a twitter post by Astro Poets (@poetastrologers).

If you enjoy this painting, I invite you to see all of the paintings from my Golden series, or a bunch of my paintings with apples or fruit with a leaf or leaves or cranberries or five previous paintings with Humboldt Fog cheese in them.

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Best,

Glass Jar with Bee (literally vs. seriously) (+ Mary Oliver on being an artist in the world)



Poet Mary Oliver on being an artist in the world:

"I definitely believe that. And I think if you skimp on one or the other, you're not getting the whole show. You have to be in the world to understand what the spiritual is about, and you have to be spiritual in order to truly be able to accept what the world is about." Read more.

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Best,

Oncoming Storm, Fish Bladder Island, Lake Champlain, VT (+ Lax on Cezanne & artists)



This is the same Lake Champlain view that I posted the other day.

If you're interested, I wanted to share another passage from Pure Act: The Uncommon Life of Robert Lax (as I continue working on my the light, the shade project for my Johnston Fellowship):

"One year when I was in graduate school, I visited Lax on spring break and recorded a long interview with him, not because I expected to write a book about him but because I'd long wanted to record his thoughts and even his voice, and the assignment in one of my classes was to profile an artist. At the start of the interview, sitting in his small main room on a cold March day, he began talking about Cezanne. “Cezanne was only trying to paint woods as objectively as he could,” he said. “As he saw them. But in his paintings they appeared unique because Cezanne saw them only as Cezanne. This is why a writer should try to get things down exactly as he perceives them. What results will not be some non-personal 'objective' piece but a piece imbued with all that he is—how he truly perceives the world. When we see a Cezanne, we see what he saw in the landscape, and that opens up the possibility of his sensitivity to the world being awakened in us."

Source: McGregor, Michael N. "On the Road with the Cristianis." Pure Act: The Uncommon Life of Robert Lax. Fordham UP, 2015. 146.

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Best,

Meyer Lemons (the light, the shade)


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Today's painting is part of my ongoing series "the light, the shade" that I began in December 2012. Recently I mentioned the new biography on Bob Lax (here: Pure Act: The Uncommon Life of Robert Lax by Michael N. McGregor), and I highly recommend it if you're interested. I'm still reading it, but it is excellent so far.

I wrote about how my favorite poet, Bob Lax, was the inspiration for my "the light, the shade" series here.

Ending soon - auction ends at 6:30 PM EST today

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(reflection detail view on auction page)

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Best,

Pink Pearl Apple (the light, the shade) (+ 100 years old)



Today's painting is part of my ongoing series "the light, the shade" that I began in December 2012. I wrote about how my favorite poet, Bob Lax, was the inspiration for this series here.

Bob Lax would have turned 100 this past Monday, November 30th. In honor, I thought I'd share an excerpt from a recent article about Lax. I especially like the line, "The joy in Lax’s poetry embodies his own interior joy and his discovery of it, almost everywhere, in the exterior world" because it describes, in a way, what my paintings embody for me.

"Just as he was an extraordinary man, Robert Lax was an extraordinary poet. There is nothing conventional or predictable about his poems. Their subjects are by turns visionary and ordinary, celebrating the apocalypse of the everyday. The later poems are spare and strange; their stripped down simplicity engages sound and sense and sight, inviting the reader to see and hear the world anew and to revel in the wonder of the word. The joy in Lax’s poetry embodies his own interior joy and his discovery of it, almost everywhere, in the exterior world." [source]

I just started reading it myself, but I've heard the new Lax biography is wonderful: Pure Act: The Uncommon Life of Robert Lax by Michael N. McGregor.

To purchase my work, view my Current Auctions and All Available Paintings.

Best,

Seascape with Buoy (+ "water gives life")


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9. Washing Your Hands
Water flows over these hands.
May I use them skillfully
to preserve our precious planet.

Our beautiful Earth is endangered. We are exhausting her resources and polluting her rivers, lakes, and oceans, destroying the habitats of many species, including our own. We are destroying the forests, the soil, the ozone layer, and the air. Because of our ignorance and fears, our planet may be destroyed as an environment that is hospitable to human life. The Earth stores water, and water gives life. Observe your hands as the water runs over them. Do you have enough clear insight to preserve and protect this beautiful planet, our Mother Earth?

~Present Moment, Wonderful Moment, Thich Nhat Hanh, p. 20.

Ending Soon

Heirloom Tomato
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All my best,

Seascape with Waves Crashing on the Jetty (+ "Gift from the Sea")


Seascape with Waves Crashing on the Jetty, 5x6 in.
Email abbeyryan@gmail.com for purchase information

"The beach is not the place to work; to read, write, or think. I should have remembered that from other years. Too warm, too damp, too soft for any real mental discipline or sharp flights of spirit. One never learns. Hopefully, one carries down that faded straw bag, lumpy with books, clean paper, long over-due unanswered letters, freshly sharpened pencils, lists, and good intentions. The books remain unread, the pencils break their points, and the pads rest smooth and unblemished as the cloudless sky. No reading, no writing, no thoughts even -- at least, not at first.

At first, the tired body takes over completely. As on shipboard, one descends into a deck-chair apathy. One is forced against one’s mind, against all tidy resolutions, back into the primeval rhythms of the sea-shore. Rollers on the beach, wind in the pines, the slow flapping of herons across sand dunes, drown out the hectic rhythms of city and suburb, time tables and schedules. One falls under their spell, relaxes, stretches out prone. One becomes, in fact, like the element on which one lies, flattened by the sea; bare, open, empty as the beach, erased by today’s tides of all yesterday’s scribblings.

And then, some morning in the second week, the mind wakes, comes to life again. Not in a city sense -- no -- but beach-wise. It begins to drift, to play, to turn over in gentle careless rolls like those lazy waves on the beach. One never knows what chance treasures these easy unconscious rollers may toss up, on the smooth white sand of the conscious mind; what perfectly rounded stone, what rare shell from the ocean floor. Perhaps a channeled whelk, a moon shell, or even an argonaut.

But it must not be sought for or -- heaven forbid! -- dug for. No, no dredging of the sea-bottom here. That would defeat one’s purpose. The sea does not reward those who are too anxious, too greedy, or too impatient. To dig for treasures shows not only impatience and greed, but lack of faith. Patience, patience, patience, is what the sea teaches. Patience and faith. One should lie empty, open, choiceless as a beach -- waiting for a gift from the sea."

~ Anne Morrow Lindbergh, Gift from the Sea, pp. 9-11.

To purchase my work, view my Current Auctions and All Available Paintings.

Happy Monday,

Two Figs with Ubriacone al Prosecco Mitica on Marble (the light, the shade)


Two Figs with Ubriacone al Prosecco Mitica on Marble (the light, the shade), oil on linen on panel, 6"x7", Private Collection

the light, the shade
As I plan out my painting travels for 2015, I am hoping to include Italy in my travels. In honor, I was inspired to paint this still life on marble with a traditional Italian cheese in it.

This painting is part of my ongoing series "the light, the shade" that I began in December 2012. I wrote about Bob Lax and described my inspiration for this series here. Also, if you're interested, here's some information on Ubriaco al Prosecco Mitica (aka "drunken cheese") -- because of the process used to make it, the cheese's rind has remnants of grape leaves on it. I found it beautiful, and you can see it in the detail view below.

Since it relates to Italy and my travels and painting marble.... my #TBT (fan favorite paintings) is Clementine with Stem on Marble, which I completed while I was traveling in Perugia, Italy in 2009.

If you enjoy this painting, please share this painting using the links below or click to tweet it.

Best,

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Two Satsuma Tangerines (the light, the shade)


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Note: This 24-hour auction ends at 2 PM EST on Friday, December 14

I don't usually 'explain' my paintings. Today's painting is significant though, so I want to share that it is inspired by four things:
  1. Robert Lax's the light / the shade (see below)
  2. A long series of in-depth conversations with 3D artists about dimensionality.
  3. My notes from studying several works by J.F. Peto during my recent visit to the National Gallery.
  4. My notes from studying Willem Claesz Heda's Still Life with Oysters, a Silver Tazza, and Glassware during my recent visit to the Metropolitan Museum of Art.
More on #1:
Thomas Merton is my namesake, Merton and Robert Lax were friends, Lax is my favorite poet, and Lax and my dad were pen pals when I was a little girl. I have a cigar box of their letters in my studio. I also have a wonderful stack of Lax's books (thanks, Dad). I've been reading the light / the shade over the last few weeks and it is one of my new favorites. Something worth seeing in the photo above is that Lax inscribed the light / the shade for my family. Click on the image to see it better. I'm Abi / gail. 

Private Painting Mentoring Update
I am blown away by all your heartfelt applications. If you submitted one, you will hear from me soon. If you're considering working with me, the details are here. As always, email me with questions.

Enjoy,

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My Favorite Poet

I thought of sending out a short note today because it is the anniversary of American poet Robert Lax's death. (Lax was a contemporary of my namesake (Thomas Merton), and Merton and Lax were also friends with the painter Ad Reinhardt.)

I'll plan to write more about Lax another time, but one thing I will share now is that my dad was a pen pal of sorts with Lax, and I have a wonderful cigar box of their letters in my studio.

Via Thomas Merton Center
I consider myself a very new (and humble) student of the work of Lax, Merton, and Reinhardt, but their work continues to have an impact on my mindset, studio practice, intentions, and outlook. If you're not familiar with their various works, I'd recommend taking a look.

Have a great day,

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