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Showing posts with label merton. Show all posts
Showing posts with label merton. Show all posts

Three Italian Plums, 2021

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"In the end, it is the reality of personal relationships that saves everything.”
—Thomas Merton 

If you enjoy this painting, you may also like to see Self-portrait in a Blue Vase with Italian Plums, Peach, and Eucalyptus, 12x24" (2017), Still Life with Italian Plum and Silver Creamer (A Meditation on 10 Years) (2017), Pohnpeian Cowry Shell and Italian Plum (Yin & Yang) (2014), Four Italian Plums (2014), Still Life with Japanese Cup and Italian Plums (2019), or a bunch of my paintings of plums or blue subjects.

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Still Life with Sake Bottle and Asian Pear (+peace)



I often mention Thomas Merton; so, if you're interested:

"Peace demands the most heroic labor and the most difficult sacrifice. It demands greater heroism than war. It demands greater fidelity to the truth and a much more perfect purity of conscience."
~Thomas Merton

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Best,

Fortune Cookie with Blue Block from Patmos, Greece (+ update on my parents' new book)


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24-hour auction ends at 8PM EST on Thurs. Oct 19th

I want to wish my mom a happy birthday today! I had the best fortune having her as my mom. ; ) If you're interested, there's been so much awesome buzz about my parents' newly published children's book, The ABCs of Thomas Merton: A Monk at the Heart of the World. Check out some of the press here and the book is for sale on Amazon -- the reviews are ALL 5 stars!

If you enjoy this painting, you may also like to see Heirloom Tomato on Blue Block from Patmos, Greece (Solar Eclipse, August 21, 2017).

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Thanks in advance,

Peeled Tangelo on Stacked Wood Blocks (+ Merton at Georgian Court)


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This painting can be paired with my painting yesterday:


When I posted previously about my parents' forthcoming children's book about Thomas Merton, I got many great emails/responses. I thought I would share that through one in particular, I learned that Georgian Court University has a Merton Collection consisting of an almost complete collection of Thomas Merton’s major books in first editions and many articles published throughout his lifetime. [details]

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Spring Onions (larger painting) (+ my parents' new children's book)


Spring Onions, 8 x 10 inches, oil on linen on panel
Available - framed
Contact me at abbeyryan@gmail.com for purchase information

I have mentioned in the past that Thomas Merton is my (middle) namesake. If you're interested, I am happy to share my parents' forthcoming book publication. They collaborated to create The ABCs of Thomas Merton: A Monk at the Heart of the World, which is due out in May 2017 (Paraclete Press). You can follow along a bit at their wonderful "ABC's of Thomas Merton" blog here. The book is for young readers (age 5-9), parents, grandparents, teachers... anyone who would enjoy learning about the major events in Thomas Merton’s life and the choices he made along the way to become the world’s most famous monk and hermit. I don't say it often enough -- but I'm very fortunate to have such talented, passionate, and inspiring parents. My mom, Elizabeth Ryan (the illustrator) is a painter with a degree from the Tyler School of Art. For over thirty years she has taught painting and shown her work in galleries throughout New Jersey. My dad, Gregory Ryan, is a founding member of the International Thomas Merton Society. He has published articles and book reviews in a number of Thomas Merton journals, and was an elementary school teacher for over forty years.

If you enjoy this painting, you may also like to see a few smaller Spring Onions paintings.

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Best,

Robin's Egg (+ Lax and Pax)


Robin's Egg (present moment), oil on linen on panel, 7x6", 2017
Email abbeyryan@gmail.com for purchase information
"I may be wrong about Pax, but keep feeling that through good poems and pictures, peace can travel." -Robert Lax to Thomas Merton, 1953 
"Lax's politics, like Thomas Merton's, were the politics of peace, this person wrote. And he was right. Pursuing peace through whatever means, even a fragile newsprint broadsheet that few people read, is a political act." -Michael McGregor, 2016
In thinking about some of my series paintings (the light the shade, Separation of Powers, literally vs. seriously, Two Left, yin/yang, present moment), below is an excerpt from author Michael McGregor's newsletter about poet Robert Lax (read about my fellowship work on Lax here). Everyone can join the newsletter at robertlax.com.

"The Politics of Art and Peace" by Michael McGregor
The Robert Lax Newsletter -- December 2016

"I may be wrong about Pax, but keep feeling that through good poems and pictures, peace can travel."
-Robert Lax to Thomas Merton, 1953

The image to the right is from the third issue of Robert Lax's broadsheet Pax, which he published sporadically between 1956 and 1962, adding three new issues in 1985. I've been thinking about Pax in the wake of the American election because Lax's idea in publishing it was to spread peace by sharing the work of writers and artists. The work didn't have to be about peace per se; the simple act of making art, Lax thought, is a peaceful -- and therefore peacemaking -- activity.

I don't know any more than anyone else what the coming months and years will bring, but I've seen the agitation and rancor the election has fostered already. I've seen people say on Facebook and elsewhere that everyone should take to the streets or get involved in politics. A former writing student of mine said over tea the other day that she was unsure about writing in these times, worried that writing an essay about something other than current issues might be trivial. I'm pretty sure I know what Lax would have told her: that we need people thinking deeply and imaginatively about life right now; that we need those people to put their observations and intuitions into words and images; that we need books with those words and images in our hands and on our shelves and in our beds at night when we're prone to worrying about where our world is heading.

When I was on my reading tour for Pure Act, an audience member asked me if Lax was political at all. I said no. But two or three days later, someone who had been at the reading suggested (gently) that I was wrong. Lax's politics, like Thomas Merton's, were the politics of peace, this person wrote. And he was right. Pursuing peace through whatever means, even a fragile newsprint broadsheet that few people read, is a political act.

“To allow oneself to be carried away by a multitude of conflicting concerns, to surrender to too many demands, to commit oneself to too many projects, to want to help everyone in everything, is to succumb to the violence of our times.” -Thomas Merton

“Art enables us to find ourselves and lose ourselves at the same time.” -Thomas Merton

(You'll find information on all Pax issues, including a list of the poets and poems in each one, here.)

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Best,

Two Satsuma Tangerines (the light, the shade)


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Note: This 24-hour auction ends at 2 PM EST on Friday, December 14

I don't usually 'explain' my paintings. Today's painting is significant though, so I want to share that it is inspired by four things:
  1. Robert Lax's the light / the shade (see below)
  2. A long series of in-depth conversations with 3D artists about dimensionality.
  3. My notes from studying several works by J.F. Peto during my recent visit to the National Gallery.
  4. My notes from studying Willem Claesz Heda's Still Life with Oysters, a Silver Tazza, and Glassware during my recent visit to the Metropolitan Museum of Art.
More on #1:
Thomas Merton is my namesake, Merton and Robert Lax were friends, Lax is my favorite poet, and Lax and my dad were pen pals when I was a little girl. I have a cigar box of their letters in my studio. I also have a wonderful stack of Lax's books (thanks, Dad). I've been reading the light / the shade over the last few weeks and it is one of my new favoritesSomething worth seeing in the photo above is that Lax inscribed the light / the shade for my family. Click on the image to see it better. I'm Abi / gail. 

Private Painting Mentoring Update
I am blown away by all your heartfelt applications. If you submitted one, you will hear from me soon. If you're considering working with me, the details are here. As always, email me with questions.

Enjoy,

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My Favorite Poet

I thought of sending out a short note today because it is the anniversary of American poet Robert Lax's death. (Lax was a contemporary of my namesake (Thomas Merton), and Merton and Lax were also friends with the painter Ad Reinhardt.)

I'll plan to write more about Lax another time, but one thing I will share now is that my dad was a pen pal of sorts with Lax, and I have a wonderful cigar box of their letters in my studio.

Via Thomas Merton Center
I consider myself a very new (and humble) student of the work of Lax, Merton, and Reinhardt, but their work continues to have an impact on my mindset, studio practice, intentions, and outlook. If you're not familiar with their various works, I'd recommend taking a look.

Have a great day,

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