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Showing posts with label creamer. Show all posts
Showing posts with label creamer. Show all posts

Still Life with Tart Cherries and Silver Creamer (with Self Portrait Reflection)


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If you look closely, in the creamer you can see my self-portrait reflection. Here are a bunch of my paintings with self portrait reflections. These cherries and this creamer were given to me as a gift -- follow that link to see some of my still life paintings that were inspired by the generosity of others.

"If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them." ~Thoreau

If you enjoy this painting, you may also like to see Still Life with Cherries and Silver Creamer (with Self Portrait Reflection) (2022), or a bunch of my paintings of cherries or this creamer.

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Still Life with Cherries and Silver Creamer (with Self Portrait Reflection)

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"Each human is a complex, contradictory story. Some stories within us have been unfolding for years, others are trembling with fresh life as they peek above the horizon. Each is a zigzag of emotional design and ancestral architecture. All the stories in the Earth's mind are connected." 
Joy Harjo, Conflict Resolution for Holy Beings: Poems (2017), photo of book page here

Related to my postings on mindful studio practice, I recommend the work of Joy Harjo, an internationally renowned performer and writer of the Muscogee (Creek) Nation. She served three terms as the 23rd Poet Laureate of the United States from 2019-2022. Read more at her website.

If you look closely, in the silver creamer you can see my self-portrait reflection of sorts. Here are a bunch of my paintings with self portrait reflections


If you like instagram, follow me @abbeyryan8 to see more #mindfulstudiopractice poetry and photos I share, in addition to my paintings. On facebook, find me here.

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Still Life with Silver Creamer, Clementine, and Cranberries (Live Demo Painting)

 
Still Life with Silver Creamer, Clementine, and Cranberries (Live Demo Painting)
4x6 inches, oil on linen on panel, 1 December 2020
Thank you for tuning in to my live demo yesterday. So many artists from around the world, friends, family, Arcadia students, alums, faculty, staff, and administrators watched and live chatted. If you're interested, here is a comment from someone who tuned in: "She just keeps making it better and better and better to infinity. There is nobody past or present who surpasses Abbey’s talent and incredible ability to recreate reality without ever uttering a curse or throwing a brush across the room. I am in eternal awe of her talent and demeanor. She gives new meaning to masterpiece."

If you missed it: on Tuesday, December 1, 2020, I conducted my annual live painting demonstration in my studio (instead of Grey Towers Castle at Arcadia University). The event was free and streamed live online. This painting (and my live demo) honors the memory of my friend, Jami. The auction is now live and will last for 7 days. All proceeds will be donated to the Jami Rodriguez Memorial Scholarship at Arcadia. Read more.

I'll post photos on Facebook and Instagram and check back because I'll be adding more. Also, if you look closely, there's a self portrait of sorts down the middle of the silver creamer's reflections. I invite you to watch the short time lapse of the two hour live demo:



If you enjoy this video, you may also like to see more of my live demo painting time lapse videos

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Still Life with J. F. Peto's Creamer and Strawberries (+ Studio Sale this week)


Still Life with J. F. Peto's Creamer and Strawberries
Oil on linen on panel, 6x8 inches, 2017
AVAILABLE - Contact me at abbeyryan@gmail.com for purchase information

Last month, I taught a workshop at one of my favorite places: the John F. Peto Studio Museum. If you're not familiar, John Frederick Peto (1854-1907), born in Philadelphia, was a late nineteenth-century figure in the trompe l'oeil school of American still life painting. The Peto Museum is a renowned and memorable studio museum about 2 hours east of Philadelphia where I live and work.

The Museum again invited me to use Peto's still life objects in my painting demonstration during this year's workshop (I painted Peto's copper jug in 2013 and his salt-glazed mug in 2015).

I chose Peto's blue and white ceramic creamer. There is a painting at the museum in which Peto himself painted this blue and white ceramic creamer. If you're interested, Peto's painting of this same creamer, along with the creamer itself!, is to the right and also pictured in this 2013 New York Times article.

As I was setting up my still life, it was cool thinking that Peto held this very object in his hands, too. Setting up one of Peto's still life objects in my own still life set up was an incredible experience.

********** STUDIO SALE **********
WEDNESDAY, NOV 8TH, 12 NOON EST

Since I am preparing to move my studio, I'll be having a STUDIO SALE of some available paintings. The sale will be discounted set prices, not auctions. Preview that link and I may try to add a few more paintings. Subscribers of my email list will get the sale notice first. If you aren't already on it, add yourself to my email list before Wed Nov 8th because in past studio sales, paintings have gone fast. First come, first served.

If you enjoy today's painting, you may also like to see Still life with John F. Peto's Copper Jug, Clementine, and Concord Grapes or Still Life with J. F. Peto's Salt-glazed Mug, Clementine, and Match.

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To purchase my work, view my Current Auctions and All Available Paintings.

Best,

Still Life with Italian Plum and Silver Creamer (A Meditation on 10 Years)


Private collection

A Meditation for 10 Years
A Meditation on 10 Years

Today marks 10 years since I began making paintings for this blog. Starting with a pink zinnia, I set out to make a painting a day and to see if I could develop a sustainable painting practice for myself -- I had no idea it would lead me to where I am today. Ten years later, my blog has had well beyond a million visitors from over one hundred countries, and my work has been the subject of many interviews and articles, and is in books, magazines, and private, public, and museum collections on six continents. I know these numbers because what comes with the Internet-age is data, and, for better or worse, data is a force of nature. That said, I don't know exactly how many daily paintings I've painted since September 23, 2007. A close estimate is between 1300-1400 hundred paintings.

More important to me than that number is what my daily painting practice means to me. Spending time doing this created a way of life. Some days are a challenge, but for ten years, this vocation has enriched my life, and this inspires me to continue painting as often as I do. Painting for me is about paying attention and capturing a moment. Contemplative paying attention allows me to have an intimate relationship with my painting subjects. Mutual respect and exchange of energy manifests itself as gesture, movement, weight, edges, texture, and color harmony. I often choose from my collection of handmade pottery or local co-op produce or a scene out my window -- and it is magic to me that my subjects can be simultaneously animated and meditative. Painting is both big and small. It is humble and majestic. It is reflective and sometimes difficult. It is present moment and vast potential.

This blog has made my daily painting practice public, but for me, my daily paintings are intensely personal. They are a sort-of diary of my life. My painting practice is a mindfulness meditation. Through my work, I hope to share with you a sense of awe and wonder I feel about beauty that is all around us in our daily lives. In a small way, I hope my work might awaken the same thing in you.

Today's plum is from my local co-op, my colorful shirt was a recent hand-me-down from my wonderful sister, and the silver creamer was an amazing gift I got today.

Today, while I painted this painting, I felt an overwhelming sense of humility.

A decade later, I still feel like a beginner every time I sit down at my easel.

Today (and every day) I offer my gratitude to you for your continued interest in my work. Thank you for allowing me to share it with you.

P.S. My free print giveaway in honor of 10 years ends tonight at midnight. Throw your name in the hat.

If you enjoy this painting, you may also like to see my other "anniversary" paintings.

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To purchase my work, view my Current Auctions and All Available Paintings.

Thank you for 10 years,

Still Life with Cranberries, Clementine, & Silver Creamer

Abbey Ryan painting
4 x 6 in., oil on linen on panel
Click to view auction

A re-visit of some favorite subjects... this time with the late afternoon light in my own studio. Also, in case you missed my new figs painting time lapse video, click here to watch it.
    If you enjoy today's painting, please share it with your friends using the links below or click to tweet. If you'd like to leave a comment for me, click here.

    Best,

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    FRAMED VIEW
    Abbey Ryan painting

    Still Life with Silver Cup and Red Pear






















    6 x 8 in., oil on linen on panel, framed
    Available: Email me for price list

    Here is another of my new gallery paintings on view at Tree's Place on Cape Cod. My mom gave me this silver cup (along with this silver creamer) and this is the first time I've painted it. I love to paint just about anything that has reflections in it. Can you see my "self portrait" in the cup?

    If you'd like to comment on this painting -- and I hope you do -- click here.

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    ENDING SOON
    The auction for Old Amsterdam Gouda with Strawberry, Blueberries, and Blackberries ends TODAY at 3 PM EST. View Auction.

    Here's what it looks like framed:























    Visit my Current Painting Auctions
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    Silver Creamer with Blue Jay Feather


    5 x 6 in., oil on linen on panel
    not for sale

    Visit my Current Painting Auctions and All Available Paintings.

    Here's what this painting would look like framed:

    Creamer (Florence, Italy)


    6 x 4 in., oil on linen on panel, 16 March 2009
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    This is a little creamer in the breakfast room of our hotel in Florence. I painted this after spending time looking at the amazing Fra Angelico frescoes at Museo di San Marco (this was my favorite place in Florence). This was also the day I held a Pontormo painting in my hands at Count Niccolo Capponi's Palazzo.